DE(B)LO(G)CATED
TAP BEHIND THE SCENE PICS

Always great to see the very funny Andy Daly on set.

I think we deemed these the most awful shorts in my wardrobe.  Had a super wide leg.  Ugh. 

Kudos to the very talented Dan O’Brien, who did an amazing job playing “Lon”.

“Jon” and “Lon” catch up on old times they never had.

Bro’s prepare to smash melons.  Our amazing 1st A.D. Adam Escott looks on.

An actor prepares to tap.

A director prepares to board a helicopter.

Me and Supervising Producer Steve Ast on the George Washington bridge, seeing John Lee approaching in the distance.

I begin to tap across the bridge as Locations Manager Elizabeth Krekel pretends to be a tourist.

I wave to the rush hour crowd as they wonder why someone in a ski mask with a strange object strapped to his chest is waving back.  I thought for sure people going to work would be calling the cops and the bridge would be stormed or I’d be shot by a sniper in a police helicopter.  Would have been a pretty sweet way to go, I guess.

Steve and I head back for another take under the watchful gaze of one of the bridge’s majestic stanchions.

That’s a wrap on the helicopter shot!  Me, Steve, and Production Manager Brian Tischer head back to the van.  That was probably my third big bottle of Gatorade in an hour. 

There were many shots that didn’t make the final cut.  Here I am being followed by the SUV with the hilarious cut-out of “Lon” on the grille.

We shot a bunch of stuff a couple hours outside the city, and happened upon this amazing repelling tower that had a painting on it of a bald eagle that loves America so much it had the flag tattooed on its fucking face.

DP Jonathan Furmanski, director John Lee, and Assistant Camera Tim Trotman look on as I ruin the beautiful scenery with my stupid dancing. 

We found a really beautiful covered bridge to get a shot. 

This shot.  Which got cut. 

About 85 pretend miles from pretend Maine.

2nd Camera Paul Helzer, Soundman Matt McClarty, DP Furmanski, and Key Grip Adam Lukens man the golf cart.

There was a cut scene which had “Jon” tapping through a small town that had established tap lanes.

Art department nailed it.  So funny.

Just taking a break to sit fireside with my urn.

Here’s two dudes that just planned on a day of quiet fishin’, not a day of quiet fishin’ interrupted by some asshole in a ski mask with an urn on his chest tapping across the sand and almost tapping right through their fishing line which was propped up in the sand which he thankfully saw at the last minute. 

Hero of the beach!

Me and Lee know how to keep the set fun, light, and outta sight. 

We finally made it to pretend Maine and a real cemetery.  I think I was literally tapping on people’s graves. 

It was a little weird shooting in a cemetery, but being the crew of Delocated, we managed to have a good time multiplied by a million.

Uh-oh.  Someone’s about to get pretend murdered.

This shot is like a free photography class.  Not really, but I like seeing Dan inside Steve’s arm.

The other side of the camera.

An actor prepares.

2 actors and a soundman prepare.

“Lon” gets murdered by Dr. Insanebodyrippedabs.

Dan enjoys the cool, disgusting floor.

Steve Cirbus apparently couldn’t handle chugging a glass of black sesame powder for the 5th time.  I don’t know if he actually barfed, but he certainly heaved. 

Hard to tell in this photo, but John and Vernon kept cracking up because Cirbus looked like Xavier when he put on the wig and fake nose.  It was pretty hilarious.

After a long, hot, disgusting day being duct taped to a chair in that AC-less, humid as fuck basement, Dan O’Brien is finally picture wrapped.  Wig and nose were fake, the beard was all real.

This might be my favorite picture from the entire shoot.  Vernon looks hilariously insane and pleased.  Cirbus looks crazy.

For the shot of Sergei shooting “Lon”, fake blood squirted well off set and onto a bunch of us off camera.  It was fun!!!

No big deal, just a ripped, shirtless bloody dude checking his cell phone.  Watch this. “Hey fuckface!!!”

Ha ha, made you look!  Nice bloody body, dick!  (seriously, nice bloody body)

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